Okay, so you all know I am an aficionado of the magical arts. That is to say, I loves me a good card trick. I also really enjoy learning the methods and the psychology behind a great performance of magic as well. This was often the focus of the many articles I wrote for Magic Magazine over the years.
And now, Steve Valentine, twice awarded by the Magic Castle (lecturer and close-up magician of the year), has started Magic on the Go, a kinda “Netflix of magic” so if you’ve ever wanted to learn from one of the best, now’s your chance.
This week’s Take Two looks at performers whose “stage” is the street—from 1502, to the 1970s, and right up to the present day.
Source: Take Two #24: Street Magic, Part 1 | Magicana
Here’s a bunch of really cool paper tricks you can do at home!
Source: DOWNLOADS | quirkologyblog
So… A few months back, say around May or June, I got an offer to cover Magic Live for Magic Magazine. The problem of course was that the baby, who had yet to be born, was due July 1st and going off to Vegas for a magic convention with a 6 week old at home didn’t particularly strike me as the best idea in the world. But I really wanted to go. But 6 week old baby. Continue reading
Categories: Adventure, Personal, Travel
Tags: Banachek, Careena Fenton, Erica Vanlee, friends, friendship, Gene Anderson, Grndl, Ian Rowland, in the heights, Joseph Daniels, las vegas, lin-manuel miranda, London, Lynetta Welch, magic, magic magazine, magician, Six Muldoon, Theatre
So… as you may (or may not, no judgement on my part) know, I like magic. Now, to be specific, I like magic with a “c” not magik, with a “k.” There’s nothing wrong with the latter, but the spiritual side, the part that says magik is a mystical, real thing just doesn’t interest my skeptical mind nearly as much as the art of prestidigitation.
The Oldest Trick in the Book | Magicana.
Just putting this here so I know where it is when I want to research for my own routines. I’m gonna start practicing soon, I swear!
Also, here’s an interesting link to Teller talking about trick exposure and the origin of Penn & Teller’s Clear Cups and Balls routine
Tuesday was our last full day in the Big City and we still had a full day’s use of the CityPass to take advantage of so naturally, we were once again up and out early in the day. This time, our destination was a bit outside the city center and was looking like it would take close to an hour to get there: The London Motor Museum.
Categories: Adventure, Art, Cities, Europe, Friends, Personal, Travel
Tags: batmobile, CityPass, DMC, Ian Rowland, London, london 2014, magic, Van Gogh, Westminster Abbey
This is a great piece on the difference between art, skill and performance. As someone peripherally involved in the world of magic, I can agree with a lot of Jason Fagone is saying here. Continue reading
Death from a Top Hat by Clayton Rawson
My rating: 4 of 5 stars
As someone involved in both the world of magic and the world of literature, I’m surprised it took me this long to come around to Clayton Rawson’s “Merlini” books. These are widely considered classics of the “locked room” mystery genre and with Death from a Top Hat one can see why.
Categories: Books, Reviews
Tags: clayton rawson, death, Death from a Top Hat, locked room, magic, magician, merlini, murder, mystery, Police Inspector Gavigan, Ross Harte, The Great Merlini
This is the second time I’ve seen this film and interestingly, the same problems I had with it the first time, I still have in the same way. So at least it’s consistent.
There’s an interesting thing about seeing a caper film a second time. Well, any film with a “twist” or two in it, I suppose, but caper films are known for being heavily reliant on specific plot details not being revealed until late in the game, Particularly this one, which involves magic tricks. See, watching it for the first time (and yes, I went my second time with a friend who hadn’t seen it before) you’re not expecting the surprise ending and when it comes, it hits you full in the gut. But that second (and subsequent) viewings, when you’re ready for the punch, you can usually see it coming a mile away and sometimes, that telegraphy can completely ruin the film. The Sixth Sense is like that. In recent days, due to his involvement with the Will/Jaden Smith vehicle After Earth, director M. Night Shyamalan has come to be revealed for the charlatan he is and Sixth Sense proves it. Watching that film once you know the ending is an exercise in tedium. The only reason it garnered the praise it did at the time was people weren’t expecting that hit and when it came, it sent them reeling. Continue reading